Easter wrap

Easter wrap

Went with friends to the Union League Club for Easter dinner.  Located right downtown in a 20-story building, the club known for its beautiful art collection and outstanding food.  For one day only, a lounge off the main lobby is converted into a petting zoo.

The staff at the ULC relax after serving an outstanding Easter buffet, Chicago, © 2013 Celia Her City

In the main dining room, the staff serve hundreds of guests a traditional Easter buffet.  My party had a late-afternoon seating, so we were among the last diners to leave.  The room looked as though the meal hadn’t even begun.

Easter centerpiece on the dessert tables at the Union League Club of Chicago, © 2013 Celia Her City

We moved to another room for the dessert buffet.  The table centerpieces were ornamented with tiny birds.

Easter pastries prepared in-house at the Union League Club of Chicago, © 2013 Celia Her City

All the desserts are prepared in-house.

A last glance at the Crystal Room on Easter Day, © 2013 Celia Her City

Another Easter, good-bye.

Old and new life, on Easter Even

Old and new life, © 2013 Celia Her City

The culmination of Holy Week is Easter, a celebration of new life and new beginnings.  The Jesus story is a shattering of the normal rules of nature, a story of dramatic and revelatory transformation, a once-and-for-all event altering human history.  Observances run the gamut: zealots get nailed to the cross, schoolkids break out of school, new-bought hats and dresses make their debut.

Easter is a celebration of newness.  There is something forced about its drama, just as there is about the season itself.  Everything is changed in a second, and nothing is as it was before.  We buy potted lilies or sheaves of cut flowers, their forced blossoms ephemeral and artificial but apt, given the prevailing theme of unnatural and dramatic change.  We do strange things with eggs, dipping them in dyes, or parading them to churches for a priest’s annointing.  Children hunt for eggs, or roll them down the White House lawn.

All the emphasis is on the pretties.

As we get older, we form a more guarded appreciation of spring, and with it a more cautious appraisal of our jumping ahead, of the likelihood of radical alteration.  Looking out on the true spring landscape, we may be struck by the old and used-up look of things: the cornstalks left over from last season, the gnarly reluctant look of the trees, some stubbornly refusing to come to bud.  The prostrate soil looks as though it would rather sleep late.  And what about those evergreens?  Aren’t they . . . stuck?

Yet these aged elements are spring’s sine qua non.  The woodland flowers, aptly named ephemerals, depend on the trees, just as, in all things, change is vicariously related to continuity.  Christ’s resurrection derives its joy from the fact that his presence will be continuing.

The landscape too has its gospel, its lesson of truth, which it mutely spells.  It checks our idealism, asserting what is viable and real.  Subtle and gradual are the changes of the season.  New life arrives, a scant veil draping what is enduring and familiar in a gaudy canopy of blossoms and leaves.  The spring spurt will give way to summer’s glaring ennui, in the meantime quickening all with the bear-hug of change.

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